2018 4 ½ x 4 ½ x 5 ½ inches Cherry wood Inspired by the traditional ‘Rule of Thirds’. Risks were taken in the process, breaking the rules of tradition with greater exploration. photo credit: Tibb Shaw

2018 17 x 9 1/2 x 2 1/2 inches Hardboard, paint, plywood An exploration of color theory and topographical waveforms as a wall sculpture.

2017 12 x 12 x 2 inches Paulownia wood The work explores retaining the warmth of the handmade with digital making. A handstitched smocking pattern and digital modeling were used to realize the surface relief. photo credit: John Carlano

2017 7 x 19 1/2 x 5 inches Basswood and paint The work explores retaining the warmth of the handmade with digital making. photo credit: John Carlano

2017 2 ¼ x 15 7/8 x 5 7/8 inches Cherry wood The work explores retaining the warmth of the handmade with digital making. A handstitched smocking pattern and digital modeling were used to realize the surface relief. photo credit: John Carlano

2017 cherry wood 2 1/4 x 15 7/8 x 5 7/8 inches The work explores retaining the warmth of the handmade with digital making. A handstitched smocking pattern and digital modeling were used to realize the surface relief. photo credit: John Carlano

2017 2 ¼ x 15 7/8 x 5 7/8 inches Cherry wood The form was realized due to an “operator error” of CNC milling another design “Smocked Locked”. The approach focused the opportunity of the “error”. The work explores retaining the warmth of the handmade with digital making. A handstitched smocking pattern and digital modeling were used to realize the surface relief. photo credit: John Carlano

2017 mixed media (basswood, wool felt & fustic wood natural dye) 12 x 8 x 8 inches / 11 ¼ x 10 x 10 inches Inspired by on hat-making, millinery processes. The final resulting felt form is the “offspring” of the “parent” single wood block. photo credit: John Carlano

2017 11 x 10 x 10 inches Wool Felt Inspired by on hat-making, millinery processes. photo credit: John Carlano

2015 31 ½ x 13 x 15 ¾ inches Bianco Piatra Marina marble Dean’s Blue Hole on Long Island is second the deepest blue hole in the world, a natural phenomenon created by the breakdown of the earth’s limestone surrounding the area of land and sea.  "Dug by the Devil" is an investigation into fabric abstractions transferred to a marble sculpture through the use of a 7-axis robotic arm and hand and machine carving tools.

2013 13 x 8 13/4 x 9 1/8 inches Basswood The Drift series is an exploration of modular stacked sculptural forms.

2013 15 1/2 x 9 1/2 x 9 1/2 inches Basswood The Drift series is an exploration of modular stacked sculptural forms.

2013 11 1/2 x 8 1/2 x 7 1/2 inches Basswood The Drift series is an exploration of modular stacked sculptural forms.

2013 14 1/2 x 9 3/4 x 9 1/8 Basswood The Drift series is an exploration of modular stacked sculptural forms.